Wendy Johnson is an ordained lay dharma teacher in the Zen traditions of Thich Nhat Hanh and San Francisco Zen Center. Based in the San Francisco Bay Area, she has practiced Zen meditation for thirty-five years and led retreats nationwide since 1992. Johnson is known for integrating meditation practice with organic gardening and environmental education. She co-founded the Farm and Garden Program at Green Gulch Farm Zen Center and has taught gardening and environmental education since the early 1980s. She writes a quarterly gardening column for Tricycle Magazine and serves as mentor to the Edible Schoolyard program. Her book is Gardening at the Dragon's Gate.
Johnson's teaching at Upaya sits inside the center's Soto Zen container. The basic form is zazen, just sitting, with the posture and breath held lightly and the mind allowed to settle without force. Around that core, Upaya's programs build out a wider arc that includes the Bodhisattva precepts, oryoki meal practice, walking meditation (kinhin), dharma talks, and the GRACE framework Roshi Joan developed for clinicians working at the bedside. Johnson teaches inside that framework, which means the work isn't just on the cushion. Students are asked to bring practice into the spaces where it actually gets tested: at the bedside, in conversation, in moments of grief or political reactivity, in the long, slow work of climate and justice. Upaya's approach is recognizable for its refusal to keep zazen and the world in separate boxes. The cushion and the clinic, the cushion and the kitchen, the cushion and the protest line are all treated as the same field of practice, not different ones. Johnson's contribution stays in that key. Teaching sessions emphasize uprightness, attention, and the Bodhisattva vow as something lived in specific situations rather than recited as an idea. There's room for silence. There's also room for hard conversations about what practice asks of a person in a world under pressure.
Wendy Johnson, Sensei appears in Upaya Zen Center's teacher and faculty roster as part of the wider contemplative community Roshi Joan Halifax has gathered in Santa Fe, New Mexico, over the past four decades. The biographical material on file is drawn directly from Upaya's own teacher page and reflects what Johnson has chosen to share there. Wendy Johnson is a Buddhist meditation teacher and organic gardening mentor who lives in the San Francisco Bay Area. Wendy has been practicing Zen meditation for thirty-five years and has led meditation retreats nationwide since 1992 as an ordained lay dharma teacher in the traditions of Vietnamese teacher Thich Nhat Hanh and the San Francisco Zen Center. Wendy is one of the founders of the organic Farm and Garden Program at Green Gulch Farm Zen Center in Marin County, where she lived with her family from 1975 to 2000. She has been teaching gardening and environmental education to the public since the early 1980s. In 2000 Wendy and her husband, Peter Rudnick, received the annual Sustainable Agriculture Award from the National Ecological Farming Association. Since 1995 Wendy has written a quarterly column, “On Gardening,” for Tricycle Magazine, a Buddhist Review. She was honored in The Best Science and Nature Writing 2000, published by Houghton Mifflin. Wendy is a mentor and advisor to the Edible Schoolyard program of the Chez Panisse Foundation, a project that she has been involved in since in its inception in 1995. Gardening at the Dragon’s Gate is Wendy’s first book. That body of work places Johnson inside a center known for blending Soto Zen practice with contemplative care for the dying, climate work, neuroscience dialogues, and a long-running program for clinicians and chaplains called GRACE. Upaya's roster mixes resident priests with visiting scholars, doctors, scientists, poets, and indigenous knowledge holders, and the programs reflect that blend. Johnson's appearances at Upaya situate this work inside that wider conversation between zazen and the world it sits inside. For practitioners who arrive at Upaya through a sesshin or a Being with Dying training, the common thread is a posture of upright, alert presence under whatever conditions show up. The forms are recognizably Soto Zen: zazen, kinhin, oryoki, the Bodhisattva precepts, dharma talks, and dokusan with senior teachers. The framing is wider than any single discipline, which is part of what has made Upaya a meeting ground for working clinicians, scientists, artists, and long-time Buddhist practitioners. Johnson contributes to that container in the role Upaya's website assigns. People interested in the specific arc of Johnson's career outside Upaya can follow the linked website and external publications listed on the Upaya page itself, which is where any deeper biographical detail belongs.
Johnson's teaching home for the work documented here is Upaya Zen Center in Santa Fe, founded by Roshi Joan Halifax in the 1980s and rooted in the Soto Zen lineage. Upaya's broader faculty includes resident priests, visiting senior teachers, scientists, clinicians, poets, and indigenous knowledge holders. Johnson contributes as part of Upaya's wider faculty rather than as a Zen priest. Information about specific dharma transmission lines, ordination, or external lineage roots belongs on Johnson's own site rather than fabricated here.
In a program with Johnson at Upaya, expect zazen and Soto Zen forms paired with teaching in Johnson's own area of focus. Days follow Upaya's rhythm of sittings, walking meditation, meals, talks, and time for questions. Silence is taken seriously, but so are the conversations that come out of it. The framing is wide enough for people from outside Buddhist practice to take part fully. Long-time Zen students will recognize the forms; newcomers will be supported through them. Expect to leave with a clearer sense of how practice meets the specific subject Johnson is teaching.